(p. 474) triśaṅku a mythological king who was accommodated after his death in the void between heaven and earth; (fig.) a man who catches at the shadow and loses the substance, a man who can have recourse to neither of two alternatives. 12)

(p. 457) tārānā a vocal style of Indian classical music like the Khayal but sung with meaningless words. 36)

(p. 472) tbaṣṭā a carpenter; an appellation of Vishwakarma (বিশ্বকর্মা). 21)

(p. 469) tēlō1 the crown of the head; the pate. 6)

(p. 472) trāta saved, delivered, rescued, succoured, relieved. 45)

(p. 469) tō1 (& adv.) expressing: question or inquiry (ভালো তো ?); request (একবার আসুন তো); worry or surprise (তাই তো); uncertainty (যাই তো-তারপর বোঝা যাবে); doubt (হয়তো); supposing, even if (তুমি তো দিলে); but (আমিতো খাব না); if, in case (বাঁচতে চাও তো); at least (আজ তো বাঁচি); sometimes inserted at random in a speech (আমি তো জানি না).

(p. 457) tippānna fifty-three. 84)

(p. 464) tulā1 (poet.) an equal ('শারদশশী সে মুখের তুলা'). 29)

(p. 453) tānapurā a stringed musical instrument (usually of four strings, but sometimes of six strings) that helps a singer to maintain perfect or flawless tune. 73)

(p. 469) taittirīẏa a section of the Yajurveda. a. of this section. 17)

(p. 462) tilōdaka water mixed with sesame, sesame in water. 6)

(p. 453) tātparya purport, significance, meaning (কবিতার তাত্পর্য); purpose, object (এ কাজের তাত্পর্য কী);; quickness, sharpness (বুদ্ধির তাত্পর্য). ̃হীন a. nonsense, meaningless; purposeless. 60)

(p. 453) tāpāpana calorescence. 84)

(p. 472) tbarasbāna swift-moving, fast-moving. 18)

(p. 457) tindu, tinduka the mangosteen (tree or its fruit). 83)