(p. 17) adēkhā unseen. 36)

(p. 38) anūrdhba (of numbers, amount, etc.) not more than, under. 15)

(p. 16) atyukti exaggeration. 28)

(p. 51) apratula lack of abundance or plenty; shortage, dearth; insufficiency; want, need, indigence. 15)

(p. 1) aṃśīdāra a partner or shareholder. 13)

(p. 38) anaicchika involuntary, compulsory. 19)

(p. 63) abhiruci desire, liking, pleasure; wish; (arch.) purpose, intention, design. তোমার যেমন অভিরুচি (হয়) as you please. 116)

(p. 79) alakṣya invisible; unseen; undiscernible; imperceptible. n. a place screened from the view, an invisible place (অলক্ষ্য থেকে); the sky or heaven ('অলক্ষ্যের পানে'). অলক্ষ্যে adv. invisibly, unseen; undiscernibly; imperceptibly; furtively, stealthily. 3)

(p. 30) anudyama lack or absence of enterprise or effort or perseverence. অনুদ্যত a. not enterprising or perseverent, lazy, indolent. 76)

(p. 7) agrāhya unacceptable; fit to be ignored; rejected. অগ্রাহ্য করা v. to ignore; to slight; to refuse, to reject, (in law) to void. অগ্রাহ্য হওয়া v. to be ignored; to be rejected, (in law) to be voided. 18)

(p. 73) arandhana the Hindu festival of abstaining from cooking observed on the last day of Bhadra (ভাদ্র); abstaining from cooking. 45)

(p. 51) aprayukta inapplicable, unsuitable, inapposite, inapt (অপ্রযুক্ত শব্দ); (loos.) misapplied; (loos.) unused. ̃তা n. inapplicability, inappositeness, inaptness, inaptitude. 35)

(p. 22) adhyāẏa a chapter, a section, a canto, etc. (of a book). 21)

(p. 34) anumita supposed; guessed, conjectured; taken as a hypothesis; deduced; (log.) inferred. অনুমিত হওয়া v. to seem to appear. অনুমিতি same as অনুমান । 36)

(p. 34) anubāda translation; interpretation; traduction. অনুবাদক n. a translator; one who speaks of or narates a thing repeatedly; an imitator; a traducer, a scandal-monger. অনুবাদিত inc. var. of অনূদিত । অনুবাদী a. translating; (given to) telling or narrating a thing repeatedly; (given to) imitating, imitative; (given to) traducing; corresponding, similar; (mus. of a note) having no direct or essential connection with the chief note (i.e. বাদী) or its essentially subsidiary parts (i.e. সংবাদী and বিবাদী) of a musical composition. 13)